Andreas Belfi and Ignaz Schick: The Myth of Persistance of Vision Revisited (Zarek)
Patient electroacoustic improv involving gamelan-esque gongs.
Mem1 and Stephen Vitiello: Age of Insects (Dragon's Eye)
Lowercase electronics with cello scrapes.
Donato Wharton – A White Rainbow Spanning the Dark (Serein)
Unremarkable Feneszian guitar haze.
Dalglish – Bennacah Drann (Highpoint Lowlife)
Unique, choppy post-techno.
Sylvgheist Maelstrom – Lahar (Connexion Bizarre)
Portentous, overlong and dreary industrial-electro.
Seth Cluett – Objects of Memory (L-ne)
Very slow and minimal Feldman-esque compositions, lovely.
Kyle Bobby Dunn – Ways of Meaning (Desire Path Recordings)
Sublimely beautiful ambient music, like Eno's Apollo made even more gaseous and amorphous.
Tupolev – Towers of Sparks (Valeot)
Piano-led post-rock reminiscent of Radian.
Koji Asano – Galaxies (Solstice)
Field recording as noise dominated by cicadas by prolific and always-interesting Japanese artist.
Luciano Berio – Berio: Differences; Sequenzas III & VII; Due Pezzi; Chamber Music (Newton Classics)
Old Berio classics given another outing. The Sequenza for Voice is particularly wacky, we featured a live performance of it by Majella Byrne for Resonance FM's Dead and Alive.
Marko Cicilliani – Jeanne of the Dark (Ahornfelder)
Strange and cluttered theatre music by a colleague of Terre Thaemlitz, who did the cover art.
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