This track is an understated and under-appreciated gem that's been banging about my head for ages. Nothing special but everything fits just perfect. Surprised more hasn't been made of it, as I love it:
Schweiz Rec is who done it, only other thing to his credit is this for Workshop 10, also splendid:
Schweiz Rec is Patrick Harz, of which little is known, but a couple of credits in discogs dating back to 1995. In 2004 he produced 'Acid Love' with Peter Grummich, which Boomkat describes enticingly as harking back to classic Donna Summer. Grummich is an old Kompakt stalwart responsible for some early scorchers. This is one:
Showing posts with label Kompakt. Show all posts
Showing posts with label Kompakt. Show all posts
Thursday, 12 September 2013
Schweiz Rec
Tuesday, 20 August 2013
Klassikal Kompakt
Despite a few golden moments, can't help but be disappointed by the recent Gregor Schwellenbach Kompakt chamber instrument remix project. With Voigt's clear interest in classical music one hoped for better, but it comes off - for the most part - limp, like so much techno played by neo-classical types on real instruments (Hauschka, Brandt Brauer Frick, etc).
But - couple of standout tracks, particularly Closer Musik's 'Departures', which with the bleeps stabbed out on high-low piano, works a treat. Kinda like Mazulis. The tension doesn't really go anywhere with the cello however... No sign of embedding, and can't beat the original:
I saw them play it live in Hoxton back in 2002, they were very humble in a small under-populated dive. Were shaking everyone's hands and getting appreciative backslaps after their show. 'Departures' was the finale.
Also reminiscent of Escape From New York on piano:
The masters of classical techno, and more, are Zeitkratzer:
But - couple of standout tracks, particularly Closer Musik's 'Departures', which with the bleeps stabbed out on high-low piano, works a treat. Kinda like Mazulis. The tension doesn't really go anywhere with the cello however... No sign of embedding, and can't beat the original:
I saw them play it live in Hoxton back in 2002, they were very humble in a small under-populated dive. Were shaking everyone's hands and getting appreciative backslaps after their show. 'Departures' was the finale.
Also reminiscent of Escape From New York on piano:
The masters of classical techno, and more, are Zeitkratzer:
Labels:
Escape From New York,
John Carpenter,
Kompakt,
Mazulis,
Zeitkratzer
Sunday, 28 August 2011
Can You Cream It?
Knew there was a Kompakt rerub of the Jacksons' 'Can You Feel It' and found it this morning: 'Cream' by Jurgen Paape from Total 6. Paape reduces it to the opening bump n' grind bass n' drums intro, adds a chord change, and introduces a snaking buzzing synth late in, but its pretty barren, as per standard Paape formula. What it lacks are those tolling bells, which could have been brought in somewhere, adding disco glitz.
Wednesday, 10 August 2011
Riot Music
One victim of the London riots was PIAS Music Distribution who had a lot of their stock in a warehouse in Eltham which burnt down. Lost in the blaze were releases from such labels as Soul Jazz Records, Fabric, Poker Flat, FourTwenty, and many many more. Blissblog have pointed to suggestions of how to help out these fledgling labels linking to a Quietus Feature on recommended purchases. I'll second them and say buy these:
Various: Invasion of the Mysteron Killer Sounds (SJR) - praised here.
GAS: Nah Und Fern (Kompakt) - absolutely essential classical-ambient-techno collection reviewed for RA here.
Robert Hood: Fabric 39 (Fabric) - Fast and furious Detroit techno.
Various: Forward to the Past (Poker Flat) - cheeky collection of retro Chicago-esque house.
And while it won't help Pias it's a fine time to dig this out:
Various: Invasion of the Mysteron Killer Sounds (SJR) - praised here.
GAS: Nah Und Fern (Kompakt) - absolutely essential classical-ambient-techno collection reviewed for RA here.
Robert Hood: Fabric 39 (Fabric) - Fast and furious Detroit techno.
Various: Forward to the Past (Poker Flat) - cheeky collection of retro Chicago-esque house.
And while it won't help Pias it's a fine time to dig this out:
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