Ruckverzauberung, especially given its similarities to, and expansion beyond, his universally praised Gas productions. Only two tracks have been released thus far: the typically-functionally-titled 'Ruckverzauberung 1' and 'Ruckverzauberung 2', the former on Pop Ambient 2011, the latter the A-side to Profan 34. Both are sonically dense, texturally rich, heavily processed treatments of classical music fragments, inviting close listening and further scrutiny. '1' is calmer and more peaceful, while '2' is dark and foreboding, employing warbled tones reminiscent of Oneohtrix Point Never. Here's '2':
So like Gas then, only here the gaseous element is largely absent, replaced with cleaner lines and more discernible source material, and in place of the surging drone we have shifting fragments and a greater sense of linear development. Certain patterns are repeated, shot through with delay and reverb, and then retreat, like motifs in classical composition. There is also a more overt focus on electronic timbres, bringing a sharpness entirely absent from Gas and also his work as All, which adds an element of menace more closely associated with the soundtracks of John Carpenter and Alan Howarth. There's none of the sheer aural bliss that oozes from parts of Konigsforst, Pop or Alltag 1-4.
Ruckverzauberung is clearly a significant work for Voigt as it's soon to be released in a limited art edition LP-sized double CD with Kafkatrax, an awkward format and pairing to be sure.
The latter though is good, prompting reviews in two subsequent issues of The Wire, with my take for Cyclic here. Appropriately confused videos by 29Nov to these too:
I wonder whether Kafkatrax get much play for the floor out at clubs? Figure it could work well within your contemporary dark Techno set a la Berghain etc. Does Voigt perform them? I'm still longing for the tranced-up version of Roxy's 'More Than This' he played with Jorg Burger back in 2008 at the Millenium Dome. What a song! Settle for this rendition in the meantime: