Sunday, 24 March 2013

Listening Series - Introduction



This is an attempt to start a new series here, based on documenting music listening in an attempt to slow down the deluge of random data passing through my head without proper digestion. Partly inspired by the Slow Listening Movement, which I vaguely attempted 3 years ago before promptly giving up only to follow, before giving that up too, the Listening Series will provide a space to document specifically what music I've listened to, but also and perhaps more importantly where, when, how and why I listened to it. There might also be a 'what did I think of' aspect too, but reviewing is not the main aim. Rather, this is a space to record and question the nature of my listening habits, as habits - in the bad sense - they seem to be.

I had a wave of ideas about this over the weekend which seemed grand and important and valuable, but these petered out to seem trivial and dumb, so the form of this will likely develop over time. Ideas thus far have included:

- documenting all music heard over a particular time frame (day / week / month)

- imposing restrictions upon listening habits (medium / genre / artist / label)

- recruiting others into the above concepts and documenting their findings

- devoting each morning's listening to critical attention and documentation

- random jottings of some or all of the above (present and likely resolution).

Like Slow Listening Movement, My consumption pattern of acquisition versus listening has gotten way out of hand. The acquisition side isn't likely to change, based as it is on both boundless curiosity and unfounded anxiety over available digital music becoming unavailable, but perhaps the reception can. We'll see how this proceeds, but like many things the first step is often the hardest.



Tuesday, 22 January 2013

Lynchian Psychodrama

Forthcoming radio broadcast on the music of, about and around David Lynch. Airing Thursday 14 February - Valentine's Day - 7-8pm in Max Headroom on Melbourne's 3 Triple R 102.7 FM. Here's the blurb:

Since the cavernous industrial noise of Eraserhead, music has occupied a prominent place in the work of David Lynch. Blue Velvet re-imagined Roy Orbison as an echo-drenched psycho-delic operatic crooner, Twin Peaks introduced the world to Julee Cruise and created an influential version of jazz noir, Inland Empire revealed the horrors lurking amidst the massed strings of Mantovani while Lynch himself has devoted increasingly more of his energies towards pop and rock production.

Featuring music from his TV and films, by influences and influenced, and from Lynch himself, Lynchian Psychodrama presents an hour of bipolar sonic merriment. Let's Rock!

This ought to set the mood:

Wednesday, 19 December 2012

Retro Futurism Resumes

Retro Futurism will return to Triple R 102.7FM 6.00pm this Sunday 23 December. I'll be filling in for Jonathan Alley's Under The Sun for three weeks while he's on summer vacation.

Episode 6: Dubs, Versions, Copies and Covers will celebrate my role as 'cover' by playing 'covers'. Stream it here.

Sunday, 9 December 2012

Sylvia Love: Extraterrestrial Lover


Best dance track ever?


And this 'aint bad:


Sylvia Love is back producing, details here.

Tuesday, 11 September 2012

Retro Futurism


New show coming soon:
Retro Futurism airs Fridays midnight - 2am on Melbourne's Triple R 102.7FM www.rrr.org.au during November 2012.

Retro Futurism looks backward to look forward, celebrating musical modernists working on the edges of composition, improvisation, quantisation, from Schoenberg to Sun Ra, from Darmstadt to Detroit, from violin to VST, from yesterday to tomorrow...

retrofuturismradio.blogspot.com.au

Monday, 13 August 2012

Olympics


Bands in bespangled uniforms play Beethoven's Ninth. Thousands of doves and coloured balloons are launched into the air. Behind huge, wind-whipped standards displaying the entwined circles, the Gods of the Stadium process on to the track in impeccable columns, their arms stretched out towards the official stalls where the great Dignitaries of W acknowledge them.


If you just look at the Athletes, if you just look: in their striped gear they look like caricatures of turn-of-the-century sportsmen as, with their elbows in, they lunge into a grotesque sprint; if you just look at the shot putters, who have cannonballs for shot, at the jumpers with their ankles tied, at the long jumpers thudding into a sandpit filled with manure.; if you just look at the wrestlers, tarred and feathered, if you just look at the long distance runners running three legged or on all fours, if you look at the clapped-out, shivering survivors of the marathon, hobbling between two serried ranks of Line Judges armed with sticks and cudgels, if you just look and see these Athletes of skin and bone, their backs permanently bent, their skulls bald and shiny, their eyes full of panic, and their sores suppurating, if you see all these indelible marks of humiliation without end, of boundless terror, all of it evidence, administered every hour, every day, every instant, of conscious, organized, structured oppression; if you just look and see the workings of this huge machine, each cog of which contributes with implacable efficiency to the systematic annihilation of men...

- Georges Perec.

Thursday, 12 July 2012

Ain't Nobody

This release is wonderful, from which this is the highlight:


The Chaka Kahn original is no slouch either, an old favourite of my mum's, which i recall hearing around the house as a youngster.



This kind of disco-reggae hybrid I realise is among my favourite-of-all musical styles, triggered by these:


This has appeared here before, but it's oh so good:


Lara went on to work with Rhythm and Sound, where I first heard her, and provided my roundabout entry point to Jamaican music:


... which was properly kicked off by this:


Prior to hearing this on a listening station in Tower Records Shibuya I'd resisted, or rather ignored, Reggae completely, turned off by my brother's Bob Marley Best Ofs and dreadlocked Fremantle buskers. I wonder whether younger listeners today have such resistance to certain genres or is everything fairgame?